Arianna Paz is a senior Harvard College from Long Island, concentrating in cognitive neuroscience and evolutionary psychology with a secondary in music. She recently completed her senior thesis which sought to further research in form and function relationships in human song. Cosi fan Tutt(i) marks Arianna’s final undergraduate opera performance, having previously performed in Massenet’s Cendrillon (Cendrillon), Strauss’ Die Fledermaus (Adele), Mozart’s Le Nozze di Figaro (Susanna), and Stravinsky’s The Rake’s Progress (Anne Trulove cover). Other Harvard performances include The Yeomen of the Guard; or, The Merryman and His Maid (Pheobe Meryll), The Pirates of Penzance; or, the Slave of Duty (Mabel), Ruddigore; or, the Witch’s Curse (Rose Maybud), H.M.S. Pinnafore; or, the Lass That Loved a Sailor (Cousin Hebe), and Into the Woods (Cinderella). Additionally, she has produced two operettas with the Harvard-Radcliffe Gilbert and Sullivan Players, served as vice president of Harvard College Opera, and is the current president of Harvard’s oldest treble a cappella group, The Radcliffe Pitches. Arianna is an alumna of the Boston Conservatory Opera Intensive in Valencia, Spain, as well as a participant in Harvard OFA master classes with Anna Gasteyer, Laura Osnes, and Min Kahng.